Old Home Town
Jan. 15th, 2011 10:18 amOld Home Town is a collection of short stories set in the same town (Mansfield, Missouri).
Like Free Land and Let the Hurricane Roar, the main characters in this book are thinly-veiled doppelgangers from Rose's real life. The stories are told in first-person through the viewpoint of Ernestine Blake, who is the pseudo!Rose.
Her parents are clearly characitures of her real parents, Laura Ingalls Wilder and Almanzo Wilder.
The first story, "Old Home Town," is the most irritating. It's a all a description of the town and lifestyle in which the rest of the stories take place. I Found this rambling and hard to get through.
After the first story, the subsequent ones center on stereotypes for women ("Old Maid," "Hired Girl," "Immoral Woman," "Thankless Child") and semi-break them down. In each tale, someone is doing something to get the entire town to gossip about them, usually by breaking with societal expectations.
Because Ernestine is still very much under the watchful eye of her mother, it's hard to tell if she sympathizes with the scandalous characters in each short story, or if she judges them for going against the rigid rules she's been raised to believe in.
But at the end of two of the stories, Ernestine/Rose breaks the fourth wall a bit, to come down decidedly on the accused. With the "Immoral Woman," for example, story almost ends with the woman leaving Mansfield in shame. But after she's grown up, Ernestine runs into her in New York City, Budapest, and the Louvre. Both are single women (a fate that would have shocked/dismayed the teenage Ernestine) who make mention to the feminist movement.
Overall, I enjoyed the stories very much as an extension of the Little House books - we see Laura struggling to be a good mother; we also see society changing quite a bit. Laura is still stubborn, and Almanzo seems to be a crabby man who's upset that he can't control his wife/daughter.
I also found the stories a little eyeroll-y, especially as a set, because they are so dramatic and unbelievable.
One example is a Hired Girl who lived in town with a family. After the wife dies, the Hired Girl continues to live with the husband and children, doing the cleaning, etc. The town is scandalized that an unmarried man and woman would live together, so the man marries the Hired Girl to shut them up. The Hired Girl realizes that her new husband is in love with a different woman in town, and always has been. This woman's husband conveniently dies, but now that the Hired Girl's Husband has married her, he is heartbroken and stuck. The Hired Girl drowns herself in a well. Ernestine/Rose and her mother/Laura find the Hired Girl's wedding ring and a stack of bills in the center of her bed; they hide them so that nobody else will know that she committed suicide and the Hired Girl's widowed husband can get married to the woman he really loves and live happily ever after.
So after a while, it gets a little...OMF, really?!
Lastly, it was a bit eerie to read some of these short stories, as Roger Lea MacBride totally cribbed some of them into his latter 'Rose Years' fictionalizations. I guess it was his right to do so, as he was 'heir' to the Little House franchise after Rose's death, and seems to have been responsible for things like the TV show and the many, many children's books based around the various women in Laura's family.
But it certainly explains why New Dawn on Rocky Ridge seemed so out of left-field for me, in comparison to the previous books in the Rose stories.
As with Rose Wilder Lane: Her Story, these stories are much better written than MacBride's/the ones based off of MacBride's notes after his death.
Like Free Land and Let the Hurricane Roar, the main characters in this book are thinly-veiled doppelgangers from Rose's real life. The stories are told in first-person through the viewpoint of Ernestine Blake, who is the pseudo!Rose.
Her parents are clearly characitures of her real parents, Laura Ingalls Wilder and Almanzo Wilder.
The first story, "Old Home Town," is the most irritating. It's a all a description of the town and lifestyle in which the rest of the stories take place. I Found this rambling and hard to get through.
After the first story, the subsequent ones center on stereotypes for women ("Old Maid," "Hired Girl," "Immoral Woman," "Thankless Child") and semi-break them down. In each tale, someone is doing something to get the entire town to gossip about them, usually by breaking with societal expectations.
Because Ernestine is still very much under the watchful eye of her mother, it's hard to tell if she sympathizes with the scandalous characters in each short story, or if she judges them for going against the rigid rules she's been raised to believe in.
But at the end of two of the stories, Ernestine/Rose breaks the fourth wall a bit, to come down decidedly on the accused. With the "Immoral Woman," for example, story almost ends with the woman leaving Mansfield in shame. But after she's grown up, Ernestine runs into her in New York City, Budapest, and the Louvre. Both are single women (a fate that would have shocked/dismayed the teenage Ernestine) who make mention to the feminist movement.
Overall, I enjoyed the stories very much as an extension of the Little House books - we see Laura struggling to be a good mother; we also see society changing quite a bit. Laura is still stubborn, and Almanzo seems to be a crabby man who's upset that he can't control his wife/daughter.
I also found the stories a little eyeroll-y, especially as a set, because they are so dramatic and unbelievable.
One example is a Hired Girl who lived in town with a family. After the wife dies, the Hired Girl continues to live with the husband and children, doing the cleaning, etc. The town is scandalized that an unmarried man and woman would live together, so the man marries the Hired Girl to shut them up. The Hired Girl realizes that her new husband is in love with a different woman in town, and always has been. This woman's husband conveniently dies, but now that the Hired Girl's Husband has married her, he is heartbroken and stuck. The Hired Girl drowns herself in a well. Ernestine/Rose and her mother/Laura find the Hired Girl's wedding ring and a stack of bills in the center of her bed; they hide them so that nobody else will know that she committed suicide and the Hired Girl's widowed husband can get married to the woman he really loves and live happily ever after.
So after a while, it gets a little...OMF, really?!
Lastly, it was a bit eerie to read some of these short stories, as Roger Lea MacBride totally cribbed some of them into his latter 'Rose Years' fictionalizations. I guess it was his right to do so, as he was 'heir' to the Little House franchise after Rose's death, and seems to have been responsible for things like the TV show and the many, many children's books based around the various women in Laura's family.
But it certainly explains why New Dawn on Rocky Ridge seemed so out of left-field for me, in comparison to the previous books in the Rose stories.
As with Rose Wilder Lane: Her Story, these stories are much better written than MacBride's/the ones based off of MacBride's notes after his death.