WisCon 37 Anime/Manga Programming Idea-Generation Fest
Let’s talk about what we would like to see at WisCon 37 for anime/manga programming. Post any thoughts you have, however semi-formed.
People can comment & try to come up with the best panels possible! At WisCon, anyone can suggest panel ideas: People who run the convention, authors, attendees, or people who have never attended WisCon and never will. Thus: Please feel free to join in!
If the comments go in a direction you dislike, or you don't want to participate in the discussion, you can submit your own program idea here.
Programming submissions will close in a couple weeks.
Here's a link to last year's programming generation fest.
WisCon 36 had:
Fairy Tales in Shoujo Anime & Manga (write-up)
Utena: The Revolution Continues (write-up)
Anime & Manga: What I've Read/Watched Since WisCon35 (low-key, everyone was in a circle in one of the sixth-floor rooms)
WisCon 35 had:
Looking Beyond the Gender Binary in Anime and Manga
Fumi Yoshinaga’s Ooku: The Inner Chambers
WisCon 34 had:
Teamwork: How Anime and Manga Fill A Feminist Void In SF/F
The Works of Hayao Miyazaki and Studio Ghibli
WisCon 33 had:
Female Power in Shounen Manga (Spontaneous Programming) (write-up)
WisCon 32 had:
Shoujo Bodies (Spontaneous Programming) (write-up)
Commenting disclaimer: If you're reading this on LiveJournal, I would appreciate it if you could post your comments on the Dreamwidth post, so they're all in one spot. Of course, if you are unable to do so, comment at LJ.
People can comment & try to come up with the best panels possible! At WisCon, anyone can suggest panel ideas: People who run the convention, authors, attendees, or people who have never attended WisCon and never will. Thus: Please feel free to join in!
If the comments go in a direction you dislike, or you don't want to participate in the discussion, you can submit your own program idea here.
Programming submissions will close in a couple weeks.
Here's a link to last year's programming generation fest.
WisCon 36 had:
Fairy Tales in Shoujo Anime & Manga (write-up)
Utena: The Revolution Continues (write-up)
Anime & Manga: What I've Read/Watched Since WisCon35 (low-key, everyone was in a circle in one of the sixth-floor rooms)
WisCon 35 had:
Looking Beyond the Gender Binary in Anime and Manga
Fumi Yoshinaga’s Ooku: The Inner Chambers
WisCon 34 had:
Teamwork: How Anime and Manga Fill A Feminist Void In SF/F
The Works of Hayao Miyazaki and Studio Ghibli
WisCon 33 had:
Female Power in Shounen Manga (Spontaneous Programming) (write-up)
WisCon 32 had:
Shoujo Bodies (Spontaneous Programming) (write-up)
Commenting disclaimer: If you're reading this on LiveJournal, I would appreciate it if you could post your comments on the Dreamwidth post, so they're all in one spot. Of course, if you are unable to do so, comment at LJ.
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(series examples of sienen moe: K-ON!, Yotsuba&!, Azumanga Daioh, Gunslinger Girls, Victorian Romance Emma, Puella Shoujo Magi Madoka)
This exact phrasing wasn't very popular last year during sign-ups, though. What could make it more interesting?
It seems like a conversation about the "male gaze" vs. actual enjoyment/user consumption would be super interesting for WisCon.
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And also something about the general lack of older women in anime/manga? I don't know if it's just me. But I feel there are a lot of works with girls interacting with each other but way less with older women.
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I've only read a few volumes of Soul Eater - do you mean Death the Kid's OCD, or is there something else that happens later on?
I'm reminded of the treatment of mental illness in Sand Chronicles/Sunadokei, although I don't think it's ever specifically called out as such.
Full Moon o Sagashite focuses on a girl whose dream is to be a singer, but she has sarcoma & therefore she can't sing loudly/breathe well. In the first episode, she learns she has one year to live.
FMA has the obvious examples of Ed and Al, but Izumi also suffers from chronic illness, right?
There was that 3-volume manga put out by Dark Horse called "Translucent" about a girl who involuntarily goes invisible, right?
What seems unifying to me is that all of these are examples of "invisible disabilities" with the exception of Ed & Al, who compensate for their physical disabilities in ways that are "cool" (automail that can be reshaped into weapons with alchemy; a metal body that can withstand repetitive combat).
I cannot think of a single example of a character in anime or manga who uses a wheelchair. There are some who use canes, but I think they are all elderly characters & the canes are meant to be an external marker of age.
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Moto Hagio's Heart of Thomas is about to be released for the first time in the U.S., and it was formative for a lot of BL coming out of Japan today.
Personally, I've read very little BL (with the exception of works by Yoshinaga Fumi), but it could be interesting. Maybe some panelists who are familiar with both slash fandom of Western media sources as well as BL? Or would the addition of discussions of slash fandom be unnecessary? We could talk about how in Western media fandoms, relationships between men are usually "just bros," and other things are left to subtext, sometimes to the point of winking at the viewers (thinking of BBC's Sherlock here). But in anime/manga, there are entire genres/actual textual sources of romantic relationships between men.
The Atlantic just published an article on Wednesday about Heart of Thomas with the subtitle, Moto Hagio's Heart of Thomas series markets a male homosexual love story to women—and it works.. The article is unintentionally hilarious because it seems to have absolutely no awareness of fandom. Direct quote: Gay romance comics for women? What? Why?
A few of the comments call the author's attention to Western fandom.
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Realistic josei manga w/lesbian characters/yuri
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Abuse and abuse psychology came up last year specifically in relation to the Black Rose arc. It was not the focus of the panel, though.
I think this could be interesting, although I'd worry about how much interest there would be in another Utena-centric panel a second year in a row. Of course, that could just be me, & if someone suggests it, we'd find out during the part of the programming process when people vote to indicate their interest in all-suggested panels (people get to vote: "Yes, I'd see that;" "Yes, I'd be on that panel;" "Yes, I'd moderate that panel;" or "No, that's uninteresting to me.").
Utena is a popular/known series among the anime/manga fans of WisCon attendees in my experience, for obvious reasons.
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I <3 the entire post, but especially:
There's also a discussion in the post of "the nichijôkei ("everyday") aesthetic," which links up to part of what I was talking out up above in the comment-thread about moe.
Well, as Joanna Russ noted, things like family and life and love are only trivial because male-dominated society tells us they are, and isn’t that one of the handy-dandy ways to suppress women’s writing, and women’s stories?
Anyway, I think there are about 8 panel topics that could spin-off from this blog post.
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There are some really interesting psychological shows out now: Psycho-pass, where there's this computer that reads your aura and determines whether you're a latent criminal, and it's actually creepy (it's a police procedural, and the main character sort of questions it, and I'm sure after episode 12 (the last one that aired), she's going to Raise A Fuss), and From the New World, which is about high school kids in a post-apocalyptic future Japan where everyone has psychic powers and the priests and ethics committee and teachers decide whether the kids are latent criminals and need to be taken care of before they can go bad.
There's some obvious parallels there.
Also, Mouretsu Space Pirates was really good and more people should watch it, because it's about a high school girl who's a pirate and there are no panty shots and there are CANON LESBIANS and it's got girls standing up for themselves.
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(Kashimashi Girl Meets Girl, for all that it's played almost entirely for laughs, has some interesting visual commentary. Like the fact that we never once see Our Hero's eyes while he's a boy, but once she's a girl, we see her whole face and her whole attitude changes. As if, as my wife said, the series was saying that she was a girl all along.)
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Would a description as simple as, "Let's talk about how trans people are represented in anime and manga," suffice?
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2. What genres/intended target audiences make us prefer one format over the other, and when adaptions work better for us one way but not another. (ex: I much prefer girly shoujo as manga to as anime, prefer horror anime to horror manga, will usually like anime based on light novels, but usually not manga based on light novels, but usually don't like light novels based on anime or manga, or manga based on anime)
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2: Interesting! I've never considered this based on my own preferences, I don't think.
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For example, I've seen a few Studio Ghibli films, watched some Bubblegum Crisis, Lain and Neon Genesis but I don't really know what else to watch and even less idea where to start with manga. And there may be others who just want to know what it's all about but don't really have friends in the fandom to get advice and recommendations from. Personally, I'd love to get to know more about some of the terminology and types of anime and manga, reoccurring themes and ideas within the genre, recommendations on good books and shows, where to find them (especially on a tight budget), and other things like that.
Thanks for being open to suggestions. I've been interested in the anime and manga panels the last few years but thought my lack of knowledge might leave me feeling confused and/or overwhelmed.
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I think that last year, we suggested something like, "I've read Ooku; what else should I read?" but didn't get enough panelists or people interested in attending, I can't remember which.
Would something like the following description be what you're looking for?
Anime & Manga 101
Do you feel like you might like anime & manga, but feel overwhelmed by the hundreds of titles and some of the terminology? Come to this panel prepared with your storytelling likes/dislikes & a few questions, and allow our panelists to give you advice and recommendations.
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Just stumbled on this
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I'm assuming this comment was meant for the post about the reporter's coverage of WisCon 37.
Thanks for correcting me, and I will link to your comment from that post, so that anyone reading it now can see your statement, too.